Writing a Chrysanthemum: The Drawings of Rick Barton.Pierpont Morgan's Library: Building the Bookman's Paradise Uncommon Denominator: Nina Katchadourian at the Morgan.Claude Gillot: Satire in the Age of Reason.Sublime Ideas: Drawings by Giovanni Battista Piranesi.She Who Wrote: Enheduanna and Women of Mesopotamia, ca.Ashley Bryan & Langston Hughes: Sail Away.Belle da Costa Greene and the Women of the Morgan.Dawn till Dusk: Studies of Light in Marine Sketches.PLEASE SEND TO REAL LIFE: Ray Johnson Photographs.One Hundred Years of James Joyce's Ulysses.Tenniel’s color version for The Nursery “Alice”.Carroll’s final drawing in the manuscript. ![]() Alice in Wonderland magic lantern slides.Tenniel’s letter to the Dalziel Brothers.Southey’s “The Old Man’s Comforts and How He Gained Them”.Carroll’s letter to Alexander Macmillan.Carroll’s “’Tis the Voice of the Lobster”.By 1910, he was experimenting with was experimenting with ways to add sound to film, but Alice in Wonderland would have been screened with live accompaniment. He began making films in 1898 and published Animated Photography, the first handbook on film. Hepworth spent his childhood assisting his father with Magic Lantern performances. ![]() Alice in Wonderland was shot on a small outdoor stage and at a nearby estate, and the actors were culled from the studio’s staff: Mabel Clark (the studio’s unofficial secretary) played Alice Hepworth’s wife took the roles of the White Rabbit and the Queen and Hepworth himself was the Frog Footman. In the first years of the twentieth century, Hepworth’s studio was producing around one hundred films a year. They also experimented with inventive special effects, to show Alice growing and shrinking and the appearance and disappearance of the Cheshire-Cat. The directors Cecil Hepworth and Percy Stowe attempted to faithfully reproduce Tenniel’s illustrations in the film and created elaborate costumes and set designs. It is seemingly disjointed and wildly episodic, based only loosely on the original story, but this is partially because the individual scenes were shown interspersed with other similarly short films: several tableaux (or “actualities”) and narrative shorts would be compiled into a longer program by individual cinemas. Originally about twelve minutes (800 feet), it was the longest film yet produced in Britain and a big production for the day. The film is preserved in just one badly damaged print. Alice was first adapted for the screen in 1903-only five years after Carroll’s death and when the film industry was still in its infancy.
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